Interactive Light Art: The Illumination of Art and Technology Merging

Interactive Light Art: The Illumination of Art and Technology Merging
  IJETT-book-cover           
  
© 2023 by IJETT Journal
Volume-71 Issue-12
Year of Publication : 2023
Author : Jirawat Sookkaew, Nakarin Chaikaew, Pheeraphon Changjaikla
DOI : 10.14445/22315381/IJETT-V71I12P229

How to Cite?

Jirawat Sookkaew, Nakarin Chaikaew, Pheeraphon Changjaikla, "Interactive Light Art: The Illumination of Art and Technology Merging," International Journal of Engineering Trends and Technology, vol. 71, no. 12, pp. 308-323, 2023. Crossref, https://doi.org/10.14445/22315381/IJETT-V71I12P229

Abstract
Interactive lighting art is a form of artistic expression that goes beyond traditional static lighting art by allowing participants to engage with the artwork actively. This abstract explores the potential benefits and differences of interactive lighting art, drawing on relevant citations and references. The immersive and interactive nature of interactive lighting art allows participants to manipulate and control lighting effects, triggering different responses from the artwork and becoming an integral part of the creative
process. Personalization and customization options enable participants to create unique experiences within the artwork by adjusting factors such as lighting intensity, color, timing, and patterns. The dynamic and evolving nature of interactive lighting art is made possible through technological innovations such as LED lighting, sensors, and interactive software, which offer new creative possibilities and expand the boundaries of traditional lighting art. Social interaction and engagement among participants are also promoted through collaborative interactions with the artwork, fostering a sense of community and connection. However, installation and exhibition considerations, including electrical connections, sensor placements, and programming setups, may pose challenges that require collaboration among artists, technicians, and other experts. Despite these challenges, interactive lighting art presents an exciting and evolving field that pushes the boundaries of artistic expression and audience engagement in the realm of lighting art.

Keywords
Interactive art, Multimedia technology, Illumination art, Light art, Immersive art, Digital art.

References
[1] Ting Xu, “Interactive Media Art and Design in the Sensory Experiences,” Sociology and Anthropology, vol. 7, no. 5, pp. 189–195, 2019.
[CrossRef] [Publisher Link]
[2] Murali Basa, “Lighting Design Schemes and Colours in Dance Performances: The Magical Illusion,” ShodhKosh: Journal of Visual and Performing Arts, vol. 4, no. 1, 2023.
[CrossRef] [Google Scholar] [Publisher Link]
[3] Luciano Floridi, The Routledge Handbook of Philosophy of Information, Routledge, Taylor and francis Group, pp. 375-380, 2016.
[Google Scholar] [Publisher Link]
[4] Katherine Jones Thomson, and Shelby Moser, “The Philosophy of Digital Art,” Stanford Encyclopedia of Philosophy, 2015.
[Google Scholar] [Publisher Link]
[5] James Turrell et al., James Turrell: A Retrospective, D.A.P./Distributed Art Publishers, 2023.
[Google Scholar] [Publisher Link]
[6] Olafur Eliasson, Your Rainbow Panorama, 2006-2011. [online] Available : https://olafureliasson.net/artwork/your-rainbow-panorama-2006-2011
[7] ARoS the Collection, Your Rainbow Panorama, 2011. [online] Available : https://www.aros.dk/en/art/the-collection/your-rainbow-panorama/
[8] Olafur Eliasson: Your Rainbow Panorama Permanent, 2016. [online] Available : https://kunsten.nu/artguide/calendar/olafur-eliasson-your-rainbow-panorama/
[9] Gordon Bull, “James Turrell: A Retrospective: (National gallery of Australia, December 13 2014 - June 8 2015),” Australian and New Zealand Journal of Art, vol. 15, no. 1, pp. 126–129, 2015.
[CrossRef] [Google Scholar] [Publisher Link]
[10] Dan Flavin: A Retrospective, National Gallery of Art, 1987. [online] Available: https://www.nga.gov/features/slideshows/dan-flavin-a-retrospective.html
[11] Dedekarginoğlu E.Ismail Bezci, “Projection (3D) Mapping: Assessment of Light and Virtuality Relationship in Context of Interior Design,” All in One Conferences / 2nd International Conference on New Trends in Architecture and Interior Design, Zagreb, Croatia, pp. 303-312, 2016.
[Google Scholar] [Publisher Link]
[12] Xinya Zhou, “On the in-application Value of Emotional Intelligence Interaction Based on Interactive Art Installation,” Journal of Physics: Conference Series, 6th International Conference on Electronic Technology and Information Science (ICETIS 2021), vol. 1827, 2021.
[CrossRef] [Google Scholar] [Publisher Link]
[13] Leah Buechley, and Michael Eisenberg, “The LilyPad arduino: Toward Wearable Engineering for Everyone,” IEEE Pervasive Computing, vol. 7, no. 2, pp. 12–15, 2008.
[CrossRef] [Google Scholar] [Publisher Link]
[14] Sunanda Rani et al., “Exploring the Potential of Artificial Intelligence and Computing Technologies in Art Museums,” 2nd International Conference on Data Science and Intelligent Applications (ICDSIA-2023), vol. 53, pp. 1-10, 2023.
[CrossRef] [Google Scholar] [Publisher Link]
[15] Kathryn Brown, The Routledge Companion to Digital Humanities and Art History, Routledge, pp. 295–312, 2020.
[Google Scholar] [Publisher Link]
[16] Katarzyna Urbanowicz, and Lucyna Nyka, “Media Architecture and Interactive Art Installations Stimulating Human Involvement and Activities in Public Spaces,” CBU International Conference Proceedings, 2016.
[CrossRef] [Google Scholar] [Publisher Link]
[17] Lanjun Luo, “Applying Lightweight Deep Learning-Based Virtual VisionSensing Technology to Realize and Develop New Media InteractiveArt Installation,” Lightweight Deep Learning Models for Resource Constrained Devices, vol. 2022, 2022.
[CrossRef] [Google Scholar] [Publisher Link]
[18] Maury Wright, Sosolimited Delivers Interactive LED-lit Sculpture in Lobby of Boston Skyscraper, LEDs Magazine, 2017. [online] Available : https://www.ledsmagazine.com/specialty-ssl/article/16700597/sosolimited-delivers-interactive-ledlit-sculpture-in-lobby-of-boston-skyscraper
[19] LAN/MAN Standards Committee of the IEEE Computer Society, “Wireless LAN Medium Access Control (MAC) and Physical Layer (PHY) Specification,” IEEE Std 802.11a-1997, pp. 1-445, 1997.
[CrossRef] [Google Scholar] [Publisher Link]
[20] Auzani Zeda Mohamed Kassim, Hasnizam Abdul Wahid, and Muhyiddin Mohammed, “Development and Implementation of Projection-Based Installation in Gallery Space and Visitors Experience,” International Journal of Innovative Technology and Exploring Engineering, vol. 9, no. 2, pp. 2050–2054, 2019.
[CrossRef] [Google Scholar] [Publisher Link]
[21] Santa Katkeviča, and Aina Strode, “Projection Mapping Method in Advertising Design,” Human, Technologies and Quality of Education, pp. 1004–1015, 2022.
[CrossRef] [Google Scholar] [Publisher Link]
[22] Welcome Into The Future, An Interactive Installation of Projection-Mapped Animal Sculptures, 2013. [online] Available : https://laughingsquid.com/welcome-into-the-future-an-interactive-installation-of-projection-mapped-animal-sculptures/
[23] Yiyum Kang, “The Spatiality of Projection Mapping: A Practice-Based Research on Projected Moving-Image Installation,” PhD thesis, Royal College of Art, London, England, 2018.
[Google Scholar] [Publisher Link]
[24] Berna Ekim, “A Video Projection Mapping Conceptual Design and Application: Yekpare,” The Turkish Online Journal of Design, Art and Communication. vol. 1, no. 1, 2011.
[Google Scholar] [Publisher Link]
[25] Bojana Nikolic, “Light Art in Contemporary Architectural Lighting Design,” Master of Science - Architectural Lighting Design, KTH Royal Institute of Technology, Stockholm, Sweden, 2017.
[Google Scholar] [Publisher Link]
[26] Boa Kim, Emmanouil Xylakis, and Georgios Triantafyllidis, “Interactive Lighting Art Installation in Virtual Environments as a Stimulus for Public Ownership in Urban Development – Brighter Brunnshög,” The 4th International Research-to-Practice Conference Lighting Design – 2017 (LD-2017), vol. 43, pp. 1-22, 2018.
[CrossRef] [Google Scholar] [Publisher Link]
[27] Costas Papadopoulos, and Holley Moyes, The Oxford Handbook of Light in Archaeology, Oxford University Press, 2021.
[Google Scholar] [Publisher Link]
[28] Mateus Manninen, “The Roles of Light: Artificial Light as a Resource in Public Art,” Master of Science - Architectural Lighting Design, KTH Royal Institute of Technology, Stockholm, Sweden, 2021.
[Google Scholar] [Publisher Link]
[29] Dilpreet Bhullar, Jen Lewin’s Light Sculptures Driven by Technology Evoke an Immersive Experience, STIR World, 2021. [online] Available : https://www.stirworld.com/see-features-jen-lewin-s-light-sculptures-driven-by-technology-evoke-an-immersive-experience
[30] Shukui Song, “Research on Public Art Parameterization of Interactive Installation Based on Sensor and Virtual Reality,” Artificial Intelligence and Edge Computing in Mobile Information Systems, vol. 2021, pp. 1–11, 2021.
[CrossRef] [Google Scholar] [Publisher Link]
[31] Jacqueline Grassi, “teamLab Borderless: The Role of Play in Immersive, Interactive Installations,” Masters Thesis, Concordia University Montreal, Quebec, Canada, 2022.
[Google Scholar] [Publisher Link]
[32] Donald A. Norman, The Design of Everyday Things: Revised and Expanded Edition, 2nd ed., Basic Books, 2013.
[Google Scholar] [Publisher Link]
[33] Marc Hassenzahl, Experience Design: Technology for All the Right Reasons, Springer Cham, 2010.
[CrossRef] [Google Scholar] [Publisher Link]
[34] Ellen Lupton, Maryland Institute College of Art, Type on Screen: A Critical Guide for Designers, Writers, Developers, and Students, Princeton Architectural Press, 2014.
[Google Scholar] [Publisher Link]
[35] William Lidwell, Kritina Holden, Jill Butler, Universal Principles of Design: 125 Ways to Enhance Usability, Influence Perception, Increase Appeal, Make Better Design Decisions, and Teach through Design, Rockport Publishers, 2010.
[Google Scholar] [Publisher Link]
[36] Ling Liu, and M. Tamer Ozsu, Encyclopedia of Database Systems, Springer, 2009.
[CrossRef] [Google Scholar] [Publisher Link]
[37] Interactive Sonic Light Bubble by studio ENESS, Plain Magazine, 2017. [online] Available : https://plainmagazine.com/interactive-sonic-light-bubble-studio-eness/
[38] Jan Butterfield, The Art of Light and Space, Abbeville Press, 1993.
[Google Scholar] [Publisher Link]
[39] Huimin Zha, and Xinyue Ma, “The Application of the Healing Value of Art in Modern Design,” 5th International Conference on Art, Design and Cultural Studies (ADCS 2023), vol. 162, 2023.
[CrossRef] [Google Scholar] [Publisher Link]
[40] File:Luis López Y Piquer - The Goddess Juno in the House of Dreams, Wikimedia Commons, the Free Media Repository, 2017. [online] Available : https://commons.wikimedia.org/wiki/File:Luis_López_Y_Piquer_-_The_Goddess_Juno_in_the_House_of_Dreams_-_WGA13453.jpg
[41] Witthaya Hosap et al., “The Influence of Light and Color in Digital Paintings of Environmental Issues on Emotions and Cognitions,” Informatics, vol. 10, no. 1, pp. 1-24, 2023.
[CrossRef] [Google Scholar] [Publisher Link]
[42] Tim Burton, The Nightmare Before Christmas, United States: Buena Vista Pictures Distribution, 1993. [online] Available : https://en.wikipedia.org/wiki/The_Nightmare_Before_Christmas
[43] 2K Games, BioShock, 2010. [online] Available : https://2k.com/en-US/game/bioshock/
[44] Joseph Kosinski, Tron: Legacy, USA: Walt Disney Pictures, 2010. [online] Available : https://en.wikipedia.org/wiki/Tron:_Legacy
[45] Tim Edensor, “Light Art, Perception, and Sensation,” The Senses and Society, vol. 10, no. 2, pp. 138–157, 2015.
[CrossRef] [Google Scholar] [Publisher Link]
[46] Brilliantbaltimore, Baltimore Book Festivel, Light City, 2019. [online] Available : https://brilliantbaltimore.com/light-city/
[47] Raune Frankjaer, “Fostering Care and Peaceful Multispecies Coexistence with Agential Provotypes,” ISEA2017: 23rd International Symposium on Electronic Arts, pp. 21–28, 2017.
[Google Scholar] [Publisher Link]
[48] DeBoer Stephanie, Woods Elliot, and H.A. Kang Kristy, “Practices and Poetics of Urban Media Art in the Shadows of the Illuminated City,” Proceedings of 25th International Symposium on Electronic Art (ISEA2019), pp. 700–702, 2019.
[Google Scholar] [Publisher Link]
[49] Jing Han, “Transformation and Regeneration of the Chinese Traditional Oiled-Paper Umbrella in Contemporary New Media Art,” ISEA2019 : 25th International Symposium on Electronic Art, pp. 242–247, 2019.
[Publisher Link]
[50] Stephen Clift, “Matarasso, F. (2019). A Restless Art: How Participation Won, and Why It Matters,” Nordic Journal of Arts, Culture and Health, vol. 2, no. 2, pp. 158–162, 2020.
[CrossRef] [Google Scholar] [Publisher Link]